he runs to meet his dad
at the railway station,
crisp in his white dhoti..
He follows him back to the kittangi where he helps with the tending.
to the business of money lending.
Legal business,
not owe $ pay $ red paint terror,
but at low writing desks in rows
in a shophouse attached to the temple,
with meticulous records in miniscule writing
on cards, each with a pillayar suli at the top
the informal banking system recorded in Sec 1 History books.
He starts his day with prayer, coffee,
then walks the town with dad, from Market Street to Finger Pier.
When his eldest brother is in town,
he hops on a double decker bus
to catch the latest John Wayne film
at the Rex cinema.
His brothers's cool friends may have been annoyed
at a kid brother tagging along,
but didn't show it.
He wears the sunglasses
his brother has gifted him
with a swagger to match
the side burns he is trying to grow
Then 'home' again,
to unroll his bedding and sleep,
one among the rows of men,
on the cool tiled floor under the green roof
listening to stories the men exchange, of their families in India,
the weddings to arrange,
their eagerness to catch the Rasulla home, two weeks by sea.
He goes to sleep,
dreamimg of sailing the Rasulla,
seeing his mother and sisters
who would welcome him arms wide open
and feed him idli and podi, his favourite food.
He wakes up before he has to dream
of the sorrow of parting
at the end of two weeks,
to return home to Singapore first
then back ipoh to guardians
and a longing
to come right back home
to continue his studies
his heart all here with his dad
and India with his mum
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